Look at the face on her - Picture Plate

Two figures stand close, framed as a pair — yet the focus lands squarely on her expression. Composed, contained, and socially acceptable, it’s the kind of face designed to be read, judged, and discussed.

Look at the face on her marks the opening of Chapter II — Performance, where private thoughts give way to public scrutiny. The moment is no longer internal; it’s observed. Commentary happens about her, not with her.

Quietly cutting and unmistakably loaded, this plate introduces the external gaze — the start of behaving not just correctly, but convincingly.